The summer of 1969 was the summer of rock music festivals. In many ways these were an attempt to recreate the atmosphere of 1967's "Summer of Love" in San Francisco--and more particularly, the "Be-In" that occurred in that city's Golden Gate Park one day in January of that year. Yes, already by 1969 the counter culture was awash in nostalgia. The pinnacle was at Woodstock that August, but things would become seriously unhinged later that year at the Rolling Stones' one day event at Altamont. (I almost went to the latter, but I was sick that weekend. And I had a lot of homework to do.)
In Toronto, at the end of the summer of '69, things were a little different. It was a one-day affair, as opposed to the 2 or 3 day festivals that were the norm, and it was planned to be a celebration of the roots of rock n' roll. Consequently most of the acts were pioneers of rock, such as Little Richard and Jerry Lee Lewis -- with a smattering of newer acts, most prominent of which was the Doors.
Well, that lineup didn't entice ticket buyers in the summer of '69. Fearing the festival would collapse before it even began, the promoters invited the Beatles -- who were themselves on the verge of collapsing -- to make their first live appearance in 3 years. Needless to say, the Beatles, who had just recently spent their final days together in a recording studio, didn't show. But John Lennon did, and the concert was saved.
Since he hadn't been in front of an audience for such a long time, Lennon later admitted he spent the half hour before he took the stage nauseous in his dressing room. But his performance shows no sign of nervousness. In fact, he shows that he was one of the great rock vocalists. Bowing to the the nature of the event, he sang mostly only old rock n' roll chestnuts such as "Dizzy Miss Lizzie", with the able assistance of Eric Clapton's nimble, blistering lead guitar.
As for the rock pioneers, Jerry Lee Lewis, strangely enough, centered his set on Elvis Presley songs and not his own. Or maybe not so strange -- Presley had recently begun to return to live performances that summer in Las Vegas, and I can't help thinking "The Killer" was attempting his own style of one-upmanship. (His resentment of Presley culminated 7 years later with Jerry Lee showing up drunk late one night with a loaded pistol, at the gate of Elvis' Graceland mansion, ranting and raving. According to one witness, he said, "Tell him the Killer's here to see him" -- hardly assuring words coming from someone brandishing a gun. He was arrested at the scene.) As for Little Richard, he instantly revived his career at Toronto; as one observer noted, "in 30 frenetic minutes Little Richard had just made his comeback".
Here's Lennon's version of "Dizzy Miss Lizzie", Jerry Lee performing a manic "Hound Dog", and Little Richard -- with his terrifically tight band -- performing "Lucille" and making the original version sound like a dress rehearsal.
Elvis Presley became a professor of sorts to me when, as a kid, I heard him say during his 1968comeback special that rock n' roll was just basically rhythm and blues. It was a revelation to me; devoted as I was to rock n' roll, I soon made a beeline to a record store & bought a BB King record. (Strangely enough, my payroll checks from LAUSD call me 'BB Ammerman'. I tell office clerks that I'm singin' the blues about my income.)
I loved the record I found--a true classic, 'Live at the Regal'--but soon sought out more hardcore blues, the kind that never wound up on the Tonight show. Here are two choice selections, both by Howlin' Wolf; the first, 'Killing Floor', established a career for the guitarist brought in at the last minute, Buddy Guy. The second is both paranoid & confessional -- how many songs bemoan the loss of a love & then admit 'I'm the causin' of it all'?'
